“I always wish I have leftovers waiting for me in my fridge when I get home. They have an incredible mix of extreme selflessness and an ability to see heartbreaking and seemingly hopeless situations, and yet carry on with their work. I’m not looking for an ‘aw’ here, I really am just blown away by them. Aside from her, personal icons would be anyone who truly dedicates their lives to rescuing animals.
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That said, I had one in Charlie’s Angels: Full Throttle, but now I’m bragging.” Whereas with a real mohawk, if you cut it off, you’re bald. Anything you can quickly cut off to return to ‘normal’ isn’t really that hard a look. “It’s the temporary tattoo of haircuts and was an incredibly funny, lukewarm early-aughts trend for people who couldn’t commit to the real thing. That being said, I’m down with anything that rescues New York restaurants.” Forget space heaters, they need to perfect heated seats. “This winter, New York really had a ‘Berlin Christmas festival’ vibe, which was nice, but I’m not particularly a fan of eating in the cold. It would also make a great title to some screenwriter’s autobiography.” It was buggy, then it was perfect, and now it’s infuriating. I almost always find it incredibly touching when grown men cry.” If I was writing some big think-piece on it, its thesis would probably arrive at the conclusion that men need to be given more permission to be emotional. I don’t think I could even tell you what the most manly thing I’ve done is, if anything at all. I could go on and on about how manliness needs to be updated or redefined. It’s like ‘macho,’ or ‘man up,’ other terms I loathe. It conjures up a kind of unhealthy competitiveness in men. “I loathe that word from most, if not all, angles. Too many open tabs on a browser falls into that category.” All these things indicate you might be in unsafe hands.
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People who injure their feet or legs more than once a year, people with severely cracked phone screens for longer than ten days, and anyone with fresh burns on their hands who doesn’t work in a kitchen, a forge, or the fire department. “There are a few things that are big red flags for me. To that end, I love moments in New York when you forget your wallet at the deli or hardware store and they say, ‘Just pay me next time.’ Walking out of somewhere without a receipt makes your neighborhood feel like your family.” It shows a certain amount of trust in a city that’s short on it, especially in a bar where you’re probably trusting someone with a drinking problem. “I love any establishment that will give you an open tab. “It’s the only relationship in my life where I think absolute and total commitment to codependency is not just acceptable, but should be nurtured.” Here, Theroux shoots the breeze on 17 sort of, but not totally, random topics.
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And yet, the 49-year-old actor and screenwriter, who will appear next in the Apple TV+ series The Mosquito Coast, as well as A24’s psychological thriller False Positive, is perhaps most closely associated with his adopted hometown of New York City, where he can be seen walking his pit bull Kuma around Washington Square Park, or hanging out at Ray’s, the downtown bar he co-owns. And he’s done it all while writing screenplays for major movies such as Tropic Thunder, Iron Man 2, and Rock of Ages. He’s led a prestige television drama (HBO’s The Leftovers). He’s worked with David Lynch-twice ( Mulholland Drive, Inland Empire). He’s played the villain in a summer blockbuster ( Charlie’s Angels: Full Throttle). He’s had bit parts in cult classics ( Romy and Michele’s High School Reunion, I Shot Andy Warhol). When it comes to the business of Hollywood, Justin Theroux has done it all.